воскресенье, 18 мая 2014 г.

"Theatre" by W. S. Maugham. Chapters 22-24

I. Give Russian equivalents of the following words and phrases:
to make a clean breast of sth – чистосердечно признаться
to tear sb limb from limb - 
to give sb a peep at your feet of clay- обнаружить своё слабое место
a sleeping-draught – снотворное
to and fro – взад-вперёд
curtain calls – вызов на сцену
pull oneself together – взять себя в руки
magnanimous – великодушие
to cramp one's style – помешать кому-л
contrition- раскаяние
a succinct account of sth – краткое содержание
a bereavement – тяжелая утрата
an austere and snug little town – строгий и уютный маленький городок
to adhere to sth.- придерживаться чего-л
VII. Answer the questions:
1.      Because she thought that it would upset Charles, as he was devoted to her for 20 years, but she fell in love with a silly young boy, who did not love her. And she did not want to confess to Delly, as she did not wish to fill that it was Tom who broke up.
2.       It was like heaven and earth, because Charles spoke about politics, aids, books and Julia wondered how she could exchange it all for a circle in which Tom was.
3.      Yes, Michael was absolutely right, as Julia lived through her role in the play, she did not act like actress should do, but splashed out her real emotions.
4.      Firstly, Julia was shocked and shouted at Michael that he was an old fool and so on, but then she calmed down and paid attention to his words.
5.      I think that she started to love them more than before, and she really appreciated all what they had done for her.
6.      Because she wanted to have a rest and completely cut herself off for a time from her old life
7.      They lived in a very quick little town and all their day were practically the same.
8.      They were caring for her, as she had a bad state of health, but when they got her acquaintance with the others, they asked not to tell them that she was an actress.
9.      She thought that he passionately loved her for 20 years, and was so devoted to her and she was the only woman in the world whom he fully loved and that he still waited for her.
10.   Because she returned to a luxurious life and  in this life people admired her mostly, sent her flowers, letters and so on. It was grand to see a well-dressed woman again, decently make-up and tanned men dressed in dinner jackets.

1.      Very adroitly. She just turned it into her own advantage, and said that she was glad that they didn’t spoil their friendship.

2.      She persuaded herself that there were two possible ways – if he was homosexual or impotent and she thought that the second variant was correct.

"Theatre" by W. S. Maugham. Chapters 19-21

I. Give Russian equivalents of the following words and phrases:
an understudyдублёр(-ша) в театре [about Tom and Julia]
Perfidy – - измена, предательство [Julia`s thoughts about Tom`s lie, betrayal]
- Wanton temperament –распутный, развратный темперамент
- to cut the date – отменить встречу, свидание
an American conjurer – ['kʌnʤ(ə)rə] фокусник [about Tom and Julia, their first date after a long period]
- to make a stab at acting in America – попробовать, попытаться сделать что-н чтобы играть в Америке, попробовать завоевать Америку. [ Julia and Tom`s conversation about her plans in New York]
Off the nailраспродажа по сниженным ценам [about Julia`s thought of Joan Denver]
you're twenty-two if you're a dayтебе все 22 [about Julia`s thought of Joan Denver meeting]
the R.A.D.A. – от Royal Academy of Dramatic Arts Королевская академия драматического искусства
- in point of fact - фактически, на самом деле, в действительности; по сути, в сущности; на поверку
Insipid – [ɪn'sɪpɪd]/ 1) безвкусный, пресный [Julias thoughts about Avice Crichton acting]
hard as nails – 1) выносливый, закалённый 2) жестокий (of a person) very tough; completely callous or unfeeling
[Julias thoughts about Avice Crichton when they`ve come with Tom into dressing room]
for toffee- совершенно не уметь играть [Julias thoughts about Avice Crichton acting]
be a sport – [Tom asked Julia to go into dressing room in order to cheer up Avice Crichton]
to beat about the bush – играть в прядки [Julia`s last conversation with Tom]
to feel all in – Быть без сил, руки отваливаются about Julia when Tom has gone
to give the air – to reject or dismiss (someone)
to put one's foot down- проявлять твёрдость, стойкость
IV. Answer the questions:
1. Under what circumstances did Roger get acquainted with Joan Denver? What kind of favour (польза; услуга; одолжение) did he ask of Julie? – that was Tom Fennel`s ide to acquaint Roger with Joan Denver. After the show boys Invited Jill and Joan to Tom`s flat and spent the night together. As Joan Denver wanted to take part at new play of Siddons theatre, she asked Roger to put in a good word for her in front of Julia Lambert.
2. Why did Julie feel she had lost Roger? – when Roger had shared his impression of new love experience with his mother, Julia suddenly understood that Roger grew older.
3. How did Tom react to Julie's plans to take her play to New York? – Tom was extremely glad about Julia`s plans in New York, and insisted that Julia should not reject such favorable offer.
4. What kind of new acquaintances and connections did Tom make through Julie? –
It had spread around among Julia's grander friends that Tom was very clever at helping one with one's income-tax returns. The Dennorants had asked him down to the country for a week-end, and here he had met a number of persons who were glad to take advantage of his technical knowledge. He began to get invitations from people whom Julia did not know. Acquaintances would mention him to her.
5. How did Julie receive Joan Denver? - She received Joan Denver the moment she had taken her last call. In spite of the play ending, Julia continued to play the imperious, aloof, stately and well-bred woman of the play. In a glance she had taken in the young girl who entered her dressing-room. "Very second-rate." – thought Julia. Inwardly Julia slung mud at Joan but outwardly, she carried it off (не подать виду)
 6. How did Michael hear about Avice Crichton? – Tom Fennel told Michael about Avice Crichton.
7. Why does Maugham describe Julie's appearance at the Sunday night show as "beautifully timed?" He described Julia’s appearance at the Sunday night show as “beautifully timed” because she arrived a few minutes before the play started and people were clapping for her, even when she disturbed them to take her place.
8. What impression did Avice Crichton and her acting produce on Julie? - . Avice Crichton was very pretty, no one could deny that, with lovely golden hair, fine blue eyes and a little straight nose; but it was a type that Julia did not care for.
Julia watched her performance for a few minutes. She watched intently, then she leant back in her stall with a little sigh. - "She can't act for toffee,"* she decided
9. Why did it irk Tom to have to come back with Julie after the Sunday night show? –  He was silent in the car and she knew that it irked him to have to come back with her. She guessed that someone was giving a supper party to which Avice Crichton was going and he wanted to be there.
10. What kind of relationship did Tom and Avice have? – Tom was in love with Avice, but that was not mutually, because Avice used Tom`s connection with Julia Lambert for her purpose to play on a stage. 

воскресенье, 4 мая 2014 г.

"Theatre" by W. S. Maugham. Chapter 15-18

I. Give Russian equivalents of the following words and phrases:
condescending letter снисходительное письмо
pearl studs жемчужные запонки
peevish - капризный, раздражительный,
make head or tail of it - продвигаться вперёд
fatuous irony глупая ирония
to get back on sb обратиться к к-л
to have sb off your hands с рук долой
song and dance песня и танец
to spend a lot on green fees тратить много на денежный взнос для игр в гольф
despicable  - презренный, жалкий
to give sb a treat - баловать
to wheedle sb into - прельщать, втягивать лестью
prudishness строгость, чопорность
to take liberties with sb - быть (чересчур) фамильярным
to grudge sb - испытывать неприязнь; завидовать; выражать недовольство
conspicuous - видный, заметный, бросающийся в глаза
to take the rough with the smooth - спокойно встречать невзгоды, стойко переносить превратности судьбы
to have a joke up your sleeve иметь шутку про запас
to mortify sb - обижать, унижать, оскорблять
disconcerted - смущённый; обескураженный; в замешательстве

II. Explain the following metaphors. Who do they refer to?

It won't hurt him to discover that I'm not all milk and honey.

This metaphor suggests comfort, sweetness, and peace. It is a cultural reference, meaning a version of paradise. It refers to Tom because Julia wanted to show her character and her resentment.

I'm not the woman to desert a sinking ship.

This metaphor alludes to rats, which leave a vessel when it founders in a storm or runs aground so as to escape drowning. It was transferred to human behavior by about 1600.
It refers to Dolly who cant abandon her friend Julia who stopped to care about her reputation.

III. Give a character sketch of Dolly de Vries. Pay special attention to the description of hr appearance: "Dolly de Vries was now a woman of sixty. and a slight cockney accent revealed itself." Dwell on her relationship with Michael and Julia. How did she feel about Tom?
Dolly de Vries was now a woman of sixty. She was very fat, and her face, with its large nose and heavy red lips, seemed larger than life. There was a slightly masculine touch in her black satin dress, but she wore a double string of pearls round her neck, a diamond brooch at her waist and another in her hat. Her short hair was dyed a rich copper. Her lips and her finger-nails were bright red. Her voice was loud and deep, but when she got excited the words were apt to tumble over one another and a slight cockney accent revealed itself.
Dolly saw no reason to sell out an investment that seemed sound, and her half share in the partnership kept her in close touch with Julia.
One thing was evident, Julia couldnt know what was being said about her, and someone must tell her. Not she; she hadnt the courage Even after all these years she was a little frightened of Julia. Julia was a very good-tempered woman, and though her language was often brusque it was hard to ruffle her; but there was something about her that prevented you from taking liberties with her. Dolly she tried to put her own wounded feelings aside and look at it only from the point of view of Julias career. She felt old, lonely, unhappy, and desperately jealous.

With Michael: Michael liked Dolly as little as she liked him, though for other reasons, and when he heard that she wanted to see him he swore. He was annoyed that he had never been able to induce her to sell out her shares in the management. When Dolly said Machael about the gossips he did not believe. Her eyes were anguished. She understood that that situation can ruin Julias career. Michael thought that Dolly cared about her money and he offered her to buy out. But Dolly thought about Julias career first of all. 
With Julia: Julia accepted the flowers with which Dolly de Vries filled her flat and her dressing-room, she was properly delighted with the presents she gave her, bags, vanity cases, brooches; but Dollys generosity was due to anything but admiration for her talent.
About Tom: She had never paid any attention to him. He seemed a nice little thing, a useful escort for Julia when Michael was busy, but perfectly insignificant. He was one of those persons who everywhere pass unnoticed, and even after you had met him you could not remember what he was like. He was the extra man you invited to dinner to make an odd number even.

IV. Speak on Julia's reputation and talent. Do you agree that no one expects an actress to be a pattern of propriety?
No one expects it because actress plays lots of roles, she can every emotion and feeling. Julia was a pattern of propriety as a perfect wife, but  the critics called her talent genius, that was a very grand word, her gift, if you like, was not really herself, not even part of her, but something outside that used her, Julia Lambert the woman, in order to express itself. It was a strange, immaterial personality that seemed to descend upon her and it did things through her that she did not know she was capable of doing. She was an ordinary, prettyish, ageing woman. Her gift had neither age nor form. It was a spirit that played on her body as the violinist plays on his violin.
Actress can do what they want because people dont know when she shows her real personality and when its the mask on her face.

V. Answer the questions:

1. Why did Julia offer Tom the money for servants' tips? Do you think she made the right decision?
Julia wanted Tom to feel aggrieved as he didnt have money to pay for himself and even he couldnt give tips for servants. It wasnt a perfect decision as it showed her as ignorant, rude and selfish person.
2. Did Julia manage to induce Tom to see her again after that?
She made him believe that he understood her erroneous and that she didnt understand what had happened with him and their relationships.
3. Did Dolly believe that Julia didn't have a lover? Why?
At Julia's request she had invited Tom to parties and once or twice had him down for a week-end in the country, but she had never paid any attention to him. He seemed a nice little thing, a useful escort for Julia when Michael was busy, but perfectly insignificant. He was one of those persons who everywhere pass unnoticed, and even after you had met him you could not remember what he was like. He was the extra man you invited to dinner to make an odd number even. Julia talked of him gaily as "me boy friend" or as "my young man"; she could hardly have been so cool about it, so open, if there were anything in it. Besides, Dolly knew very well that the only two men there had ever been in Julia's life were Michael and Charles Tamerley.
4. Whom did Dolly finally decide to talk to about Julia's cheating?
Dolly came to the conclusion that Michael must speak to Julia. She had never liked Michael, but after all he was Julia's husband and it was her duty to tell him at least enough to make him put a stop to whatever was going on.
5. Why did Dolly not confess to Michael that she suspected Julia of having a love affair?
She looked him in the face. Her eyes were anguished. For though at first she had only laughed at what was being said about Julia she had not been able altogether to suppress the doubts that soon assailed her; she remembered a dozen little incidents that at the time had escaped her notice, but when considered in cold blood looked terribly suspicious. She had suffered such torture as she had never thought it possible to endure. Proof? She had no proof; she only had an intuition that she could not mistrust; she wanted to say yes, the impulse to do so was almost uncontrollable; she controlled it. She could not give Julia away. The fool might go and tell her and Julia would never speak to her again. He might have Julia watched and catch her out. No one could tell what might happen if she told the truth.
6. Why did Michael suggest buying Dolly's share out?
If Julia's gadding about all night it must tell on her performances. I know Julia well enough to know that she wouldn't put up with any interference with her liberty of action. I'm her husband and I've got to put up with it. But you're in a different position altogether. I shouldn't blame you if you wanted to get out while the going was good."
7. What was the reason for Dolly's desperate jealousy?
She knew how much money meant to him and she had a hope that what she had said would rankle. She helped Julia at the very beginning of her career and loved her, she couldnt allow her to loose anything.
8. How did Dolly try to convince Julia that Tom was not very discreet?
She said "You know how malicious people are. You've always led such a quiet, regular life. You've gone out so little, and then only with Michael or Charles Tamerley. He's different; of course everyone knows he's adored you for ages. It seems so funny that all of a sudden you should run around all over the place with a clerk in the firm that does your accounts." She tryied to explain that poor young tom couldnt attract her attention as he didnt have anything thats why people spread a rumours.
9. Why couldn't Julia fall asleep after the lunch with Dolly?
She had acquired the reputation of a perfectly virtuous woman, whom the tongue of scandal could not touch, and now it looked as though her reputation was a prison that she had built round herself. She had to be perfect. She had often felt that her talent, genius the critics called it, but that was a very grand word, her gift, if you like, was not really herself, not even part of her, but something outside that used her, Julia Lambert the woman, in order to express itself. It was a strange, immaterial personality that seemed to descend upon her and it did things through her that she did not know she was capable of doing. She was an ordinary, prettyish, ageing woman. Her gift had neither age nor form. It was a spirit that played on her body as the violinist plays on his violin. It was the slight to that that galled her.

VI. Summarize the events of chapters 15-18.

Tom gave back Julia money and her gifts and she felt nervous as she could loose him. They talked on the phone and later he came to her. He couldnt look at her suffering and continued the relationships with her. That was a new turn between them. They began to get on in the world (выходить в люди) and didnt care about anything. Dolly de Vries heard rumors about this couple and tried to stop it, speaking about it with Julias husband Michael. He didnt believe her, but let Julia know about rumors. Julia invited Dolly for a talk. She tried to convince her that she loved Tom as her sons good friend.  She didn't care for herself, it was the affront to Julia Lambert the actress that stung her.